In this second part of the Drawing the Figure series, Jack explores the properties of structure. Here, he introduces the basic elements required to create the illusion of 3-Dimensional space and form as they apply to the human figure. By constructing simple forms, exploring overlap and translating the complexity of the human body into its simplest, most basic forms, we can begin to understand the process of converting a 3-Dimensonal, real world form onto a flat, 2-Dimensional surface that an observer can understand. Jack will demonstrate how to see the forms and draw through them without losing the gestural quality described in his first DVD.

In this DVD Alessandro shows his workflow to model a stylized character for production, based on a given concept. The essential steps are covered, starting with the presentation of the initial 2D concept and associated reference materials. Alessandro then demonstrates blocking out the character with ZSpheres in ZBrush using the concept as reference for proportions. This becomes his base in 3ds Max to block out all the main components through polymodeling

Learn how paint realistic eyes using Photoshop. No prior knowledge of the software is required. The videos are in real time and easy to follow, all source files are included.
• Full Resolution Videos
• Original PSD Files Included to follow along
• Bonus: Skin Painting Techniques

In this class Phil Holland will go over shooting and accurately processing high dynamic range (HDR) images for live action visual effects and creative print use. He'll be covering photographing the images, constructing the final HDR image with off-the-shelf software and preparing 360 degree spherical HDR images for visual effects and image-based lighting use. Phil will also be sharing and discussing the techniques and camera rigs he has created for use on movie sets and in post-production houses over the last several years.

Over the last decade, ZBrush has become the industry standard application for digital sculpting and has been used in nearly every blockbuster film and video game produced during that time. Introduction to ZBrush 4 with Scott Spencer provides the most comprehensive set of instructional videos ever created for ZBrush users, covering everything from the absolute basics, to more advanced sculpting and detailing topics.

Adobe Photoshop® is the preferred, industry-standard software for photo manipulation and graphics creation, but using it effectively for projects in production is key. With the release of CS5, Photoshop now offers a variety of new tools and functionality enhancing any workflow, and in this DVD, you will learn the professional methods for compositing, digital painting, photo retouching, design and more. Almost eight hours of exclusive content covering industry tips and techniques such as selection, color-correction, HDR and video are included. Dave begins with in-depth overviews of the most commonly used tools in production, and then applies them to real-world projects. This content is suited to both the novice and expert Photoshop user and will teach you the necessary skills for today's "generalist" or 2D/3D production artist. Instructor for this title: Dave Pasciuto

Join us for two weeks of exclusive classes in an interactive, online event. Each 2-Hour class focuses on a Different element of the Visual Effects and Games industries. Each class is Offered Online in a Private Forum, allowing you to PARTICIPATE in Discussion with the instructor and Other Students. Are all instructional videos and HD CAN be Accessed Any time the event During a, as you'd like as Often. This is a great Opportunity to learn from the Industry's Masters and gain insight INTO Their Technique, Thought Process and Workflow. Get a massive dose of inspiration, motivation and education while sharing the experience with peers from around the world.

In this polygonal modeling DVD, Sean Mills shows you how to create a bipedal humanoid model. Sean begins with a set of primitives for different body parts - arms, legs, torso and face - and refines them into muscle masses, primary contours and silouhettes. He then shows you how to refine those masses, establishing preliminary edge loops around musculature and areas of major deformation. Sean concludes by integrating these primary forms onto a contiguous character mesh

Here are the images of these disks Global Illumination: Exteriors vray Lighting Techniques with Christopher NICHOLS In this Lecture on the Subject of Global Illumination lighting techniques, Christopher Nichols discusses the Subject of exterior lighting. This DVD covers a general introduction to the principles of Global Illumination, which are essential to the understanding of this specialized form of lighting.

In this third DVD of a series on comic book illustration techniques, Steve Firchow gives an overview of how to color a comic cover from beginning to end in Adobe Photoshop.

This class will thoroughly break apart the design and directorial processes of a few selected projects from GMUNK's repertoire, first focusing on the importance of inspirational reference, mood boards, and proper pre-production through previz and storyboards. The session will then examine the technical aspects of the design, editorial, compositing and finishing aspects of each production, giving specific tips and insight into how to optimize your workflow.
The class will finish with a variety of industry musings from a seasoned veteran, and the best ways to stay inspired and engaged through constant research, reference and self-motivated initiative. The session will be fast-paced and content-heavy with a variety of invaluable insight from somebody who's done this a few times.

Focusing on the earliest stage of pre-production, inspiration becomes the artist's most important weapon in pitching an idea to a director. In this class Aaron Limonick demonstrates bringing an abstract ink experiment to a realized conceptual sketch. The focus of the sketch will range from industrial design to creating a traditionally painted look and a textural surface within the digital medium.

This class will provide an in-depth look at the workflow David Lesperance uses to design environments. Starting off he will cover basic concepts of asset building including kit bashing, grid space modeling, basic UVs and asset cleanliness. Normal and displacement mapping will also be covered. Dave will then move into his lighting setups using V-Ray. He will discuss lighting and rendering in V-Ray, covering HDRI and physical camera setups, along with efficient render settings. Throughout the class David will be sharing many time-saving tips and tricks that he uses in his day to day workflow for 3ds Max, ZBrush and Photoshop.

Scott Easley takes you through the process Constructing of a character animation in Maya Pipeline That Will allow you to constantly update and Improve your Characters Without adversely affecting the existing Any of animations. Scott Also Shows you How to use the Trax animation Editor from the Ground up and How to build a Library of animation actions Which you CAN then use to block-out More Complex character animations. Included on this DVD Are tutorials, Sample a rig, Blend Shapes for facial set-ups, character texture maps, Custom tools, SHELVES, Poses and a Maya Project to Get you on your Quicktime , Flash, Acrobat

Scott Robertson - one of the most popular instructors school of computer graphics Gnomon

On this DVD Scott Introduces the Basics of 1, 2 and 3 point perspective drawing and leads you through the exercises needed to gain the skills necessary to draw man-made forms of your own design. Intended to be a lecture for the beginner or a refresher for the working professional, Scott shares the form building basics he utilizes when doing his advanced vehicle drawings; the drawing of freehand perspective grids and ellipses becomes the basis for a form building strategy.

Learn how paint realistic eyes using Photoshop. No prior knowledge of the software is required. Are the videos in Real time and Easy to Follow, all source Files Are included.

Building upon the foundation of his first two DVDs, Dylan takes you through the entire matte painting process, from pencil sketch to color study to final rendering. He demonstrates many techniques he uses in production, from various types of photo manipulation to hand painting methods.